Telsche boorman biography examples
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My childhood on the set of Deliverance
The miniature long-haired dachshunds are yapping in unison as Katrine Boorman sits down in the kitchen of her house in west London. Her father, the director John Boorman (subject of her feature documentary Me and Me Dad), is apparently upstairs writing. He is due to start shooting his new film Queen and Country, a sequel to his 1987 hit Hope and Glory, later in the year.
Me and Me Dad is a clever, funny and affecting family memoir, made over several years, which brings us closer to Boorman, 80, than any conventional documentary. His daughter Katrine's greatest asset as a neophyte film-maker is her own seeming ineptitude. "I had never made a film and I still consider myself a total amateur," she says. "If I do anything else, I am going to get a proper camera crew because, frankly, I am useless at all the technical stuff."
Katrine shot the documentary with her former au pair as her cinematographer. There are several sequences in which her fath
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John Boorman
British filmmaker (born 1933)
This article is about the filmmaker. For the cricketer, see John Boorman (cricketer).
Sir John Boorman CBE | |
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Boorman in Paris in November 2014 | |
| Born | (1933-01-18) 18 January 1933 (age 92) Shepperton, Middlesex, England |
| Occupation(s) | Film director, producer, writer |
| Years active | 1962–present |
| Spouses | Christel Kruse (m. 1956–1990)Isabella Weibrecht (m. 1995, divorced) |
| Children | 7 (1 deceased), including Charley Boorman and Katrine Boorman |
Sir John BoormanCBE (; born 18 January 1933) is a British bio director, producer and screenwriter. He is best known for directing feature films such as Point Blank (1967), Hell in the Pacific (1968), Deliverance (1972), Zardoz (1974), Exorcist II: The Heretic (1977), Excalibur (1981), The Emerald Forest (1985), Hope and Glory (198
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John Boorman: ‘I have to take a measure of blame for Harvey Weinstein’
John Boorman has always savoured myth and legend. Deliverance, released in 1972, ended with a hand rising from the waters like the protector of King Arthur's sword. In 1981, with Excalibur, he abandoned contemporaneous analogy and gave us the definitive cinematic take on Arthurian lore. Even his classic 1967 thriller Point Blank has to do with a quest.
You get a more detailed sense of his spiritual adventures in a delightful new volume titled (with a poignant pun) Conclusions. Comprising memoir, nature poetry, advice on film-making and saucy anecdotes, the book has much to do with his home in deepest Wicklow. For many who have followed his extraordinary career – from childhood in suburban London to back lots in LA to a gaggle of Oscar nominations – the house in Annamoe has itself taken on mythical status. He’s been here for ever. Daniel Day-Lewis lives over one neighbouring hill. Paul McGuinness lurks across a