Ilary blasi biography
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Ilary Blasi
Italian television host (born )
Ilary Blasi | |
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Blasi in | |
| Born | () 28 April (age&#;43) Rome, Italy |
| Nationality | Italian |
| Occupation | Television host |
| Spouse | Francesco Totti &#; &#; (m.&#;; sep.&#;)&#; |
| Children | 3 |
Ilary Blasi (Italian pronunciation:[ˈiːlariˈblaːzi]; born 28 April ) is an Italian television host, former model and former child actress.
Early life
[edit]Ilary was born in Rome, daughter of Roberto and Daniela. Her mother named her after one of her favourite Western movie heroines. Blasi has two sisters, Melory and Silvia. Blasi was introduced to showbusiness by her mother. As she declared in an interview, a neighbour told her mother that an agency was recruiting a blonde child with blue eyes for an advertisement of the "Panettone Galbusera"; Daniela brought Blasi to the casting, and she was selected for her first job.
Career
[edit]Early career
[edit]She joined showbusiness very ea
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Early career
She joined showbusiness very early. At the age of 3, Blasi shot her first TV ad; at 5 she debuted in the cinema with a little role in the bio "David & David" directed bygd Giorgio Capitani; at 6 she was in the cast of "Da grande" of Franco Amurri (accredited as "Hilary Blasi") and "Vizio di vivere" by Dino Risi. Later she appeared in the film "Fiori di zucca" () by Stefano Pomilia and "La dolce casa degli orrori" () by Lucio Fulci. In that period she did testimonials for various advertisers, like the one for the oil "Cuore" with her whole family, "Cicciobello" doll, "Renault" cars and "Barilla Group", "Galbusera", "Findus", "Balocco" and "Sanson" (food).
In search of success
At the end of the s Blasi tried different approaches to get back into show business; she worked as a model for the photo stories done by the "Lancio" publishing house, she posed nude for a few photoshoots and walked the runways for some of the fashion agencies in Rome, she joined a comedy at t
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Ilary is pure surrealist entertainment
While watching episodes of Ilary, a five-part series that chronicles the off-camera life of the famous host Ilary Blasi (though one might wonder: aren’t Netflix cameras still cameras?), the feeling is the same as when watching her documentary released a year ago, Unica. It’s impressive, incredible, and reminiscent of a surrealist art piece worthy of Buñuel’s best works. Futurist, dreamlike, Dadaist. Calling it grotesque feels too easy. The realms of this streaming show – which in the past, with Unica explored the behind-the-scenes of her separation from football legend Francesco Totti – are dominated by the grit of its lead. This time, Ilary takes center stage as the title character, ready to evolve from being Italy’s Kate Middleton (often attributed to her and Totti as “our royals”) to aspiring to be the Kim Kardashian of Torrino.
What fryst vatten Ilary Blasi's Netflix documentary about?
The visionary aspect of the show lies in craftin